Image Makers Association Australia's '1 Shot 24 - Seeing & Knowing'

In partnership with Stylecraft, 1 SHOT 24 opened nationally last night in Melbourne, Sydney, Perth, Adelaide and Brisbane Stylecraft showrooms. The exhibition is displayed alongside collections of both local and international brands and products, exclusive to Stylecraft.

The overarching theme of Seeing & Knowing and its disparate meaning is reflected in the images of the 42 exhibitors from Australia’s pre-eminent photographers, who each present their personal interpretation of Seeing & Knowing.

Melbourne friends and followers should get along to 145 Flinders Ln, Melbourne and take in the beautiful collection. My image ‘6:30pm from Fixations 4’, expertly printed by Peter Hatzipavlis of Final Grade and framed by Angelo & Alex Grazzini of A&L Artistic Framers, is amongst the works showing.

Fixations 5

Fixations 5. Still in Adelaide (not now, at the time of taking). If you’ve been following this series of me obsessing over fairly ordinary things, you can probably tell me what I love about this little scene… but in case you haven’t, here it is… colour, obviously. Strong lines and shadows - also obvious. Perhaps less obvious is the contrasting texture of those bricks sitting alongside the smooth concrete and bitumen. And of course there’s that ever present sense of isolation. It was also the way it revealed itself to me as I made my way down the lane. Those colourful little buildings sitting amongst the surrounding concrete giants were like a little oasis in the hot Adelaide sun. That’s all.

Fixations 4

Did you know I have a carpark fetish? Maybe fascination is a better word. In any case, I do. I’ve been wandering in and out of carparks, old and new for many years but like so much of my personal work, it remains unseen. What is it about carparks? It’s all the themes that run throughout this series of fixations and more - strong lines, great colours, concrete, detritus a sense of the extraordinary in the ordinary and that feeling of isolation. The “more” in this instance, is the light - dark, moody, atmospheric and a touch cinematic.

This carpark, in Adelaide, has a very particular and strong memory and feeling attached to it. I was returning to my hotel late in the day when I came across it. It was unclear if it was public or private but unable to resist I went on in and started to shoot. So there I am, snapping away when I heard the roller door start to close! Of course I was too far in to make it back to the door and regardless, as a wise lecturer (2nd year for those in the know) once told me “photographers never run”. Instant panic set it at the thought of being stuck in that dark, moody and no longer atmospheric, just terrifying, carpark.

Fortunately, it turns out it was a pubic carpark and swipe access was not required to leave the exit door in the back, so once my heart rate had settled I continued to snap away! Here’s what I saw:

Metropolis

As promised, I’m sharing another body of work from recent years (well, a selection of images from it). This one, Metropolis, followed on from "Ships in the Night" and was also made in 2018. It continues my ongoing exploration on the theme of isolation, a theme that has taken on a whole new meaning since I made this work. In any case, I’m not done with it!

This body of work was exhibited in 2018 at Yarra Sculpture Gallery as part of the Fresh 18 Group show. These and all of my fine art works are available in limited edition prints - get in touch via the Contact page if you’d like to know more.

Metropolis

I am drawn to cities and never tire of capturing their beauty, overt and hidden. There is a certainty in the symmetries, patterns, colours and forms that is familiar and comfortable.

The city holds great appeal for me yet I feel an imbalance.

As our cities grow and sprawl, so too does our sense of isolation and loneliness. The rural villages of connected communities have given way to vast metropolises of concrete and steel, overflowing with profoundly disconnected, lonely individuals. Disconnected from each other and from nature.

Off-form concrete in Geelong by Michael Carr Architects

If you’re familiar with me or my work, you’ll know how much good concrete makes my eyes light up and my heart sing. It’s a tad sad, I realise. Imagine my delight when I arrived on site in Geelong to see this stunning use of off-form concrete by Michael Carr and his team! Adding to the delight, well established landscaping and considered interiors, this project was a pleasure to shoot over a couple of all weather days - with a considerable covid interlude between them.

Architecture, Interiors & Styling: Michael Carr Architects
Landscape Design: Stephen Read Landscape Design
Build: Surfview Builders

WOHA's Kampung Admiralty - 2018 Building of the Year

I was fortunate to take a quick trip to Singapore earlier this year and more fortunate still to sneak away for a few hours to shoot WOHA Architect’s Kampung Admiralty - named 2018 World Building of the Year at the World Architecture Festival. And rightly so. The building is mixed-use, combining social housing with commercial and retail spaces (food, medical etc) and includes a remarkable, terraced green roof. The stacked terraces include a kids playground, an outdoor gym, peaceful gathering places and a community farm, together providing a community park for residents and visitors. I barely scratched the surface in the few hours I spent there but impressed I was. Hot, but impressed.

Gerocarne - La Cittá dei Maestri Vasai

Gerocarne - The City of the Master Potters. First stop on my recent European adventure was Gerocarne. A small town of less than two thousand people, nestled in a valley in the Province of Vibo Valentia, Calabria. Historically a town of potters, though few remain, it is filled with beautiful moments of colour, stone and concrete.