I spent over a week exploring Tokyo (barely scratched the surface) and of all of the areas I spent time in, I’m going to say Yanaka was my favourite. It’s part of Tokyo’s “Old Town” and known for the high concentration of temples (70 something in Yanaka.) This little collection of photos includes a small part of one of those temples but is about the gorgeous surrounding concrete wall..! I love it. If you’ve been following for a while or you scroll back a few years, you’ll know, or find, that it’s not the first time I’ve professed my love for a wall and a concrete one at that.
concrete
Arimasuton. Tokyo’s "Zombie Fish" Building
You may or may not know that I jetted off to Japan for two weeks last year. As you can imagine, I took a lot of photos. How to share them with you has perplexed me a bit as there are many ways I could shape them into little collections. I still haven’t come to any great conclusion so I thought I’d just begin. And begin with something very unique!
This is Arimasuton, Tokyo’s "Zombie Fish" Building and a handmade, concrete masterpiece. Tokyo’s small scale, lesser known answer to Gaudí, if you like.
Architect Keisuke Oka is the owner and builder of Arimasuton, which can be found in Tokyo’s Mita district, a lavish and upscale suburb where the building stands out and strangely fits in too. For over twenty years Keisuke, along with friends, family, students and neighbours, has crafted the building by hand, from concrete.
Though finished in 2024 the surrounding buildings have been demolished making way for a large-scale development leaving Oka no choice but to shift, yes actually shift, the building back 10 metres away from the construction site, which is what is taking place in my images below. I did attempt to get closer but was quickly ushered away by the polite security guarding the site. I am looking forward to revisiting in the future to see it settled and likely dwarfed amongst it’s future giant neighbours!
Halcyon Walk 2 & 3 by Housing First Limited and H2o Architects
If you’re a regular here you may have seen 1 Halcyon Walk that I shot back in 2023 for Housing First Limited, with construction of buildings two and three commencing around me. Fast forward to late 2024 and I was back there to shoot those now completed buildings. How wonderful to see it come together with garden views from the apartments and great indoor and outdoor common areas for the lucky seniors that reside there. It’s a lovely little collection of buildings designed by H2o Architects, with their signature yellow throughout and built by Minicon Construction.
Developer: HousingFirst Ltd
Architect: H2o Architects
Builder: Minicon Construction
Shoot assist: Megan Cox
Fixation 8
It’s been a little while since I shared a fixation. I’ve got a number waiting in the wings to share with you but this one, shot no too long ago, has jumped the queue. A bit like the last fixation, where I stumbled across something new in old territory, this one is just down the road from me in Richmond. It’s a carpark. Did you know I like carparks? Thing is, although I’m not traipsing through Richmond on foot all that often, I can’t believe I’ve never seen this before, in the 20 (wow!), yes 20 years that I’ve been living in Melbourne. Clearly this lot has been vacant for some time and likely a carpark for much of that time.
So this little gem of a site has all the things that cause me to fixate. Concrete, strong lines, colour, a touch of detritus, repetition, natural elements creeping in and the added bonus of the new and old stood together and also in the distant background.
To top it all off the sun was shining, I’ll revise that to beating, and the sky was perfect blue. A happy little occasion indeed.
Did you know that I fly a drone?
I’ll get to the drone in a minute. First I need to say hi, as it’s been a while. And Happy New Year! I took one of my hiatuses from journaling and social media, as I do from time to time, but I found some space between Christmas and New Year to share some of the work I’ve been doing over the past few months.
I’m starting with this mid construction shoot for Bowden Corp back in Spring. Whilst many may scoff and wonder what could possibly be interesting about mid construction photography, I was in raptures, as a friend of mine would say. Do you know how beautiful the repeating lines and shapes of freshly installed trusses can be? Not to mention the pretty blue colour and striking shadows they cast on a clear, blue sky day!
As well as stills, I put the drone up for some aerial action. I did get the footage that I needed but being Spring I had a couple of very aggressive magpies to contend with! I’ve included a little clip of them below (obviously not a finished product!) along with my pick of the stills - less commercial than Bowden Corp’s purposeful selection and more my artistic interpretation.
So tell me, do you see what I see? Or do you think I’m barking mad? Let me know in the comments below once you’ve had a look...
Image Makers Association Australia's '1 Shot 24 - Seeing & Knowing'
In partnership with Stylecraft, 1 SHOT 24 opened nationally last night in Melbourne, Sydney, Perth, Adelaide and Brisbane Stylecraft showrooms. The exhibition is displayed alongside collections of both local and international brands and products, exclusive to Stylecraft.
The overarching theme of Seeing & Knowing and its disparate meaning is reflected in the images of the 42 exhibitors from Australia’s pre-eminent photographers, who each present their personal interpretation of Seeing & Knowing.
Melbourne friends and followers should get along to 145 Flinders Ln, Melbourne and take in the beautiful collection. My image ‘6:30pm from Fixations 4’, expertly printed by Peter Hatzipavlis of Final Grade and framed by Angelo & Alex Grazzini of A&L Artistic Framers, is amongst the works showing.
Fixations 5
Fixations 5. Still in Adelaide (not now, at the time of taking). If you’ve been following this series of me obsessing over fairly ordinary things, you can probably tell me what I love about this little scene… but in case you haven’t, here it is… colour, obviously. Strong lines and shadows - also obvious. Perhaps less obvious is the contrasting texture of those bricks sitting alongside the smooth concrete and bitumen. And of course there’s that ever present sense of isolation. It was also the way it revealed itself to me as I made my way down the lane. Those colourful little buildings sitting amongst the surrounding concrete giants were like a little oasis in the hot Adelaide sun. That’s all.
Fixations 4
Did you know I have a carpark fetish? Maybe fascination is a better word. In any case, I do. I’ve been wandering in and out of carparks, old and new for many years but like so much of my personal work, it remains unseen. What is it about carparks? It’s all the themes that run throughout this series of fixations and more - strong lines, great colours, concrete, detritus a sense of the extraordinary in the ordinary and that feeling of isolation. The “more” in this instance, is the light - dark, moody, atmospheric and a touch cinematic.
This carpark, in Adelaide, has a very particular and strong memory and feeling attached to it. I was returning to my hotel late in the day when I came across it. It was unclear if it was public or private but unable to resist I went on in and started to shoot. So there I am, snapping away when I heard the roller door start to close! Of course I was too far in to make it back to the door and regardless, as a wise lecturer (2nd year for those in the know) once told me “photographers never run”. Instant panic set it at the thought of being stuck in that dark, moody and no longer atmospheric, just terrifying, carpark.
Fortunately, it turns out it was a pubic carpark and swipe access was not required to leave the exit door in the back, so once my heart rate had settled I continued to snap away! Here’s what I saw: