I went out looking for a new wall, longer story - I won’t go into that, and found a fixation instead. I’ve explored a lot of Melbourne’s streets and laneways over my years of photography so it’s always a surprise and delight when I come across something new. In this case something old, made new, by Hilton if I recall correctly.
Social isolation
Duality
So many thoughts swirling around my head about the series I’m sharing here. I thought it was going to be a fixation to begin with but this is bigger. I’ve long pondered what draws me to the intersection of contradictions; new and old, natural and built, dark and light, straight and curved and so on and thought it was just a matter of visual interest. What I’ve come to realise through much reading, talking and searching is that it’s much deeper than that. It’s a desire to understand the contradictions, the dichotomies, the dualities within myself. There’s too much to say on this to say it all here, but I’ll leave you with this. For all the time I’ve been looking at places where the natural environment meets the built, I thought, as someone who loves and respects nature, that I was cheering for the nature, when actually my heart lies with the built, in this case the house. My metaphor was back to front.
*Side note. There are too many photos here, I know, but in my defence I spent time with this house on two seperate days and took close to 300 photos. It was hard to choose!
**Side note two, I could have done a fixations series on the lacy curtains alone.
Image Makers Association Australia's '1 Shot 24 - Seeing & Knowing'
In partnership with Stylecraft, 1 SHOT 24 opened nationally last night in Melbourne, Sydney, Perth, Adelaide and Brisbane Stylecraft showrooms. The exhibition is displayed alongside collections of both local and international brands and products, exclusive to Stylecraft.
The overarching theme of Seeing & Knowing and its disparate meaning is reflected in the images of the 42 exhibitors from Australia’s pre-eminent photographers, who each present their personal interpretation of Seeing & Knowing.
Melbourne friends and followers should get along to 145 Flinders Ln, Melbourne and take in the beautiful collection. My image ‘6:30pm from Fixations 4’, expertly printed by Peter Hatzipavlis of Final Grade and framed by Angelo & Alex Grazzini of A&L Artistic Framers, is amongst the works showing.
Metropolis
As promised, I’m sharing another body of work from recent years (well, a selection of images from it). This one, Metropolis, followed on from "Ships in the Night" and was also made in 2018. It continues my ongoing exploration on the theme of isolation, a theme that has taken on a whole new meaning since I made this work. In any case, I’m not done with it!
This body of work was exhibited in 2018 at Yarra Sculpture Gallery as part of the Fresh 18 Group show. These and all of my fine art works are available in limited edition prints - get in touch via the Contact page if you’d like to know more.
Metropolis
I am drawn to cities and never tire of capturing their beauty, overt and hidden. There is a certainty in the symmetries, patterns, colours and forms that is familiar and comfortable.
The city holds great appeal for me yet I feel an imbalance.
As our cities grow and sprawl, so too does our sense of isolation and loneliness. The rural villages of connected communities have given way to vast metropolises of concrete and steel, overflowing with profoundly disconnected, lonely individuals. Disconnected from each other and from nature.
"Ships in the Night" in the time of Covid
It’s pretty quiet right now for a lot of small creative businesses and it’s no different for me, an architectural, interiors and fine art photographer. The beauty of having two parts to my practice is that when one part is quiet I can focus on the other. For the time being, while I’m not shooting on site much I’ve been reflecting on, planning and researching my fine art projects.
For the last three years or so years I have been making work about isolation and the reasons for its prevalence in our society. I’ve looked at it from many perspectives: environmental, societal, emotional and psychological. The research opportunities are fascinating and unending and I suspect I will continue to explore this idea for a long time.
In the first half of 2018, I made “Ships in the Night” which looks at Isolation in an urban environment. Little did I know back then just how apt it would become in the time of Covid, in 2020. It might not be exactly 1.5 meters I’ve depicted but it’s pretty close…
“I am drawn to cities and never tire of capturing their beauty, overt and hidden. There is a certainty in the symmetries, patterns, colours and forms that is familiar and comfortable.
The city holds great appeal for me yet I feel an imbalance.
As our cities grow and sprawl, so too does our sense of isolation and loneliness. The rural villages of connected communities have given way to vast metropolises of concrete and steel, overflowing with profoundly disconnected, lonely individuals. Disconnected from each other and from nature.”
"Ships in the Night" for Immerse 2019
Immerse is an art exhibition that transforms the City of Knox into a living art gallery. Extraordinary art takes over every day spaces - inviting the public to encounter the unexpected.
1 – 29 September, 2019
Ships in the Night
I am drawn to cities and never tire of capturing their beauty, overt and hidden. There is a certainty in the symmetries, patterns, colours and forms that is familiar and comfortable.
The city holds great appeal for me yet I feel an imbalance.
As our cities grow and sprawl, so too does our sense of isolation and loneliness. The rural villages of connected communities have given way to vast metropolises of concrete and steel, overflowing with profoundly disconnected, lonely individuals. Disconnected from each other and from nature.
Installation images by Samara Clifford. With thanks to Knox Art & Events