Duality

So many thoughts swirling around my head about the series I’m sharing here. I thought it was going to be a fixation to begin with but this is bigger. I’ve long pondered what draws me to the intersection of contradictions; new and old, natural and built, dark and light, straight and curved and so on and thought it was just a matter of visual interest. What I’ve come to realise through much reading, talking and searching is that it’s much deeper than that. It’s a desire to understand the contradictions, the dichotomies, the dualities within myself. There’s too much to say on this to say it all here, but I’ll leave you with this. For all the time I’ve been looking at places where the natural environment meets the built, I thought, as someone who loves and respects nature, that I was cheering for the nature, when actually my heart lies with the built, in this case the house. My metaphor was back to front.

*Side note. There are too many photos here, I know, but in my defence I spent time with this house on two seperate days and took close to 300 photos. It was hard to choose!

**Side note two, I could have done a fixations series on the lacy curtains alone.

Image Makers Association Australia's '1 Shot 24 - Seeing & Knowing'

In partnership with Stylecraft, 1 SHOT 24 opened nationally last night in Melbourne, Sydney, Perth, Adelaide and Brisbane Stylecraft showrooms. The exhibition is displayed alongside collections of both local and international brands and products, exclusive to Stylecraft.

The overarching theme of Seeing & Knowing and its disparate meaning is reflected in the images of the 42 exhibitors from Australia’s pre-eminent photographers, who each present their personal interpretation of Seeing & Knowing.

Melbourne friends and followers should get along to 145 Flinders Ln, Melbourne and take in the beautiful collection. My image ‘6:30pm from Fixations 4’, expertly printed by Peter Hatzipavlis of Final Grade and framed by Angelo & Alex Grazzini of A&L Artistic Framers, is amongst the works showing.

Fixations 5

Fixations 5. Still in Adelaide (not now, at the time of taking). If you’ve been following this series of me obsessing over fairly ordinary things, you can probably tell me what I love about this little scene… but in case you haven’t, here it is… colour, obviously. Strong lines and shadows - also obvious. Perhaps less obvious is the contrasting texture of those bricks sitting alongside the smooth concrete and bitumen. And of course there’s that ever present sense of isolation. It was also the way it revealed itself to me as I made my way down the lane. Those colourful little buildings sitting amongst the surrounding concrete giants were like a little oasis in the hot Adelaide sun. That’s all.

Colour and pattern as far as the eye can see

It was an absolute pleasure to shoot this restoration and renovation project in Brunswick West a short while ago. Designed by architect Gordon Patullo, interiors a collaboration with Alison Leeder and Samantha Everton, built by the lovely folk at Maizac Building and Construction, and styled by Annalisa Tavrou. As I moved through the house every room was a new delight of colour and pattern! Here’s a few images from the shoot.

More Paris

Still no words for Paris. It was autumn, the shadows were looong.