Fine Art

Fixations 2

 

A long-time and very dear friend paid a visit to Melbourne in recent months. In one of our many, deep and artful conversations we came to the subject of my “Fixations” posts. She (who will know who she is when she reads this) suggested that you might like to hear about what it is exactly that I am fixating on in these images, what it is that caught my attention.

So. This next fixation, I happened upon when working in Hobart earlier this year. This little scene stopped me dead and only got better the more I moved in. It’s the strong lines and repetition in the facade of the building, it’s the patterns in the paving of the road and footpath, it’s the symmetry of the shiny silver bike thingys (what do you call those?), it’s the way nature gently but firmly disrupts the man made perfection with organic, uneven and unpredictable lines. It’s colour - green on stone, the hint of red in the speed sign, the coloured paint on the pavement, the bolt of yellow from the adjacent carpark and the pastel yellow of that strange little, sticker covered, industrial box, which doesn’t belong and fits in all the same. It’s the sense of isolation, the absence of people. I could go on… it’s all of that and more.

For those that are interested it’s the former Reserve Bank building which was designed by the Commonwealth Department of Works and constructed in 1977.

 

Omnia Art Prize

 

Exciting news last week with 1 Treasury Place - 8:50am being shortlisted for the Omnia Art Prize.

The exhibition opens on 19th May and runs to the 22nd May only. Be sure to go along and take in work from leading contemporary artists around Australia. All the details below.

Elizabeth Schiavello Melbourne Architectural and Fine Art Photographer
 

Edge of Darkness

 

By the time coronavirus lockdowns first reached us in 2020 I had already be been consciously exploring the idea of isolation for several years. As you will see from previous posts (‘Isolation’ 2017’, ‘Ships in the Night, 2018’, ‘Metropolis, 2018, ‘False Warmth, 2019’) it is something I have considered through varied subject matter.

In 2020 when large sections of the population were isolating at home it provided a unique opportunity to view our urban environment in a near complete state of isolation. Coronavirus amplified the experience of isolation for a great number of people and for many left them in or on the edge of darkness.

Elizabeth Schiavello Fine Art Photographer Melbourne
Elizabeth Schiavello Fine Art Photographer Melbourne
Elizabeth Schiavello Fine Art Photographer Melbourne
Elizabeth Schiavello Fine Art Photographer Melbourne
Elizabeth Schiavello Fine Art Photographer Melbourne
Elizabeth Schiavello Fine Art Photographer Melbourne
Elizabeth Schiavello Fine Art Photographer Melbourne
Elizabeth Schiavello Fine Art Photographer Melbourne
Elizabeth Schiavello Fine Art Photographer Melbourne
Elizabeth Schiavello Fine Art Photographer Melbourne
Elizabeth Schiavello Fine Art Photographer Melbourne
Elizabeth Schiavello Fine Art Photographer Melbourne
 

Metropolis

 

As promised, I’m sharing another body of work from recent years (well, a selection of images from it). This one, Metropolis, followed on from "Ships in the Night" and was also made in 2018. It continues my ongoing exploration on the theme of isolation, a theme that has taken on a whole new meaning since I made this work. In any case, I’m not done with it!

This body of work was exhibited in 2018 at Yarra Sculpture Gallery as part of the Fresh 18 Group show. These and all of my fine art works are available in limited edition prints - get in touch via the Contact page if you’d like to know more.

Metropolis

I am drawn to cities and never tire of capturing their beauty, overt and hidden. There is a certainty in the symmetries, patterns, colours and forms that is familiar and comfortable.

The city holds great appeal for me yet I feel an imbalance.

As our cities grow and sprawl, so too does our sense of isolation and loneliness. The rural villages of connected communities have given way to vast metropolises of concrete and steel, overflowing with profoundly disconnected, lonely individuals. Disconnected from each other and from nature.

 

False Warmth, 2019

 

A few people have asked me lately where they can see the fine art series that I’ve made over the past few years. I thought I’d share some here. This series is False Warmth, which I made in 2019 over many cold winters nights in inner city Melbourne. Before Covid was a thing…

Personality facades. The masks people wear; the inauthentic versions of themselves they present to the world to hide anxieties, depressions and traumas.

Often these masks are developed in early years to protect from feelings of inadequacy, weakness or insecurity and are carried through into adulthood.

At night, when returning home, they take off their masks. Sometimes this brings relief and sometimes it makes space for the anguish and despair to rise. The safety of home can bring comfort from a cold world but it can also bring a deeper isolation, a false warmth.

No Left Turn - False Warmth, 2019

Lace - False Warmth, 2019

Through The Cracks - False Warmth, 2019

Post Box Corner - False Warmth, 2019

The Adjacent - False Warmth, 2019

Towing Service - False Warmth, 2019

Freeway home - False Warmth, 2019

Riots - False Warmth, 2019

Skeletons - False Warmth, 2019

Shamrock Store- False Warmth, 2019

Cutouts - False Warmth, 2019

Theresaville - False Warmth, 2019

Leaving - False Warmth, 2019

 

"Ships in the Night" in the time of Covid

 

It’s pretty quiet right now for a lot of small creative businesses and it’s no different for me, an architectural, interiors and fine art photographer. The beauty of having two parts to my practice is that when one part is quiet I can focus on the other. For the time being, while I’m not shooting on site much I’ve been reflecting on, planning and researching my fine art projects.

For the last three years or so years I have been making work about isolation and the reasons for its prevalence in our society. I’ve looked at it from many perspectives: environmental, societal, emotional and psychological. The research opportunities are fascinating and unending and I suspect I will continue to explore this idea for a long time.

In the first half of 2018, I made “Ships in the Night” which looks at Isolation in an urban environment. Little did I know back then just how apt it would become in the time of Covid, in 2020. It might not be exactly 1.5 meters I’ve depicted but it’s pretty close…

“I am drawn to cities and never tire of capturing their beauty, overt and hidden. There is a certainty in the symmetries, patterns, colours and forms that is familiar and comfortable. 

The city holds great appeal for me yet I feel an imbalance.

As our cities grow and sprawl, so too does our sense of isolation and loneliness. The rural villages of connected communities have given way to vast metropolises of concrete and steel, overflowing with profoundly disconnected, lonely individuals. Disconnected from each other and from nature.”

Elizabeth Schiavello Fine Art
Elizabeth Schiavello Fine Art
Elizabeth Schiavello Fine Art
Elizabeth Schiavello Fine Art
Elizabeth Schiavello Fine Art
Elizabeth Schiavello Fine Art
Elizabeth Schiavello Fine Art
Elizabeth Schiavello Fine Art
Elizabeth Schiavello Fine Art
Elizabeth Schiavello Fine Art
Elizabeth Schiavello Fine Art
Elizabeth Schiavello Fine Art
Elizabeth Schiavello Fine Art