One upside of covid (you have to find them or else…) is it allows the space to share more work here on my journal. Moving away from residential and into a workspace in South Melbourne. This one is a long way from some of the offices I worked in back in the day. Architecture by Hot Black, built by Amicus Spaces with furniture from howgroup. I’d stick around for Friday drinks on that balcony!
covid
"Ships in the Night" in the time of Covid
It’s pretty quiet right now for a lot of small creative businesses and it’s no different for me, an architectural, interiors and fine art photographer. The beauty of having two parts to my practice is that when one part is quiet I can focus on the other. For the time being, while I’m not shooting on site much I’ve been reflecting on, planning and researching my fine art projects.
For the last three years or so years I have been making work about isolation and the reasons for its prevalence in our society. I’ve looked at it from many perspectives: environmental, societal, emotional and psychological. The research opportunities are fascinating and unending and I suspect I will continue to explore this idea for a long time.
In the first half of 2018, I made “Ships in the Night” which looks at Isolation in an urban environment. Little did I know back then just how apt it would become in the time of Covid, in 2020. It might not be exactly 1.5 meters I’ve depicted but it’s pretty close…
“I am drawn to cities and never tire of capturing their beauty, overt and hidden. There is a certainty in the symmetries, patterns, colours and forms that is familiar and comfortable.
The city holds great appeal for me yet I feel an imbalance.
As our cities grow and sprawl, so too does our sense of isolation and loneliness. The rural villages of connected communities have given way to vast metropolises of concrete and steel, overflowing with profoundly disconnected, lonely individuals. Disconnected from each other and from nature.”
